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The Convenience of Malleable Ethics
It is not that ethical systems are non-existent, it’s more that these are made malleable for convenience and become relative to the situational context.
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Whose History Is It Anyway?
Is history collective? Is it individual? Is it both? Or is it neither?
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THERE ARE INFINITE STORIES and infinite ways to tell them…
Sometimes, it is beautiful to listen to an unknown language without subtitles, to have the words and their intended meanings flow through your bones and to let go of the urge to ‘understand’ and interpret.
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THINGS TAKE THE TIME THAT THEY TAKE
I appreciate the convenience of instant connection for work, and value staying in touch with friends– but at my pace.
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Travelling Plants, in Bangalore
2025, 10-19 October.
1Shanthiroad Studio/Gallery,
Shanthinagar, BENGALURU. -
Parallel Kilns – Modernist Ceramics from Madras and Bombay
2025, 09 October – 22 November.
Gallery Prologue,
Colaba, MUMBAI. -
where does the light fall
2025, 08 October – 08 November.
Gallery Espace,
New Friends Colony, NEW DELHI. -
Lands, Real and Imagined
2025, 28 September.
Arthshila Goa,
273, Nachinola, GOA. -
Visual Arts Pedagogy in India – Past and Present
Of all arts, the best is Visual Arts It is conducive to attainments of virtue, wealth, pleasure and liberation Wherever it is established, at home or elsewhere, it is a harbinger of auspiciousness Chitrasutra, Vishnudharmottara Purana
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TRAVELING PLANTS, INTERWINED MEMORY
An idea is like a seed. Once set in the right conditions, it will grow and grow, and grow, with roots and branches that spread and connect, and flowers and fruit with more seeds, allowing for something much larger to be created, and moving beyond its own life and time. This becomes a suitable metaphor for the project with the Jahajee Bandals, in which the chance connection through a community discussion on creole gardens brought about an interconnection between Trininad & Tobago, Goa, Hyderabad and Bihar. ‘The Botanical Afterlife of Indenture: Imaginative Archives’ (hosted at the Art Society of T&T, June […]
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Accounting for Access
I learnt that meaningful access to art depends on the right mix of language, location, and curatorial approach—only then can high artistic values reach everyday audiences.
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Parivartan: Change
“But didn’t you study Archaeology?”